Egyptian Chick Magazine September 2017

Egyptian Chick Magazine Cover for Sept 1017

Letter from the Editor:

I recently did a short video show again for people from Kuwait. I had the pleasure of wearing a new creation of mine and it included a “Cape Veil” made out of some material I had in my collection for 20 years. I was very pleased with the results. The “Cape Veil” probably came into prominence around the 1980’s. I personally never had one, I continued to use regular veils with the costumes my mother and I made. So I admit it was quite fun to finally have one of these. The fabric may or may not be “Persian Lace” but is a lovely pattern.

Thinking of Houston as I made my debut there when I was one year old. Been a “pro” ever since. Hopefully, people will take seriously the issue of “climate change” and stop shoving it “under the carpet.” God bless everyone that was effected by “Hurricane Harvey.”

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Egyptian Chick Magazine is published by:

Aziza Al-Tawil “Editor in Chief”

Billy Jack Watkins, “Research Assistant to the Editor”

Josephine Homonai, “Fashion Consultant and Model”

Contact azizaaltawil@gmail.com

Egyptian Black Seed Oil and it’s Miracle Curative Properties

by Aziza Al-Tawil

As a young girl in NYC, I remember how much I relished with excitement our trips to Brooklyn’s “Atlantic Ave.” If we weren’t performing somewhere at night there were trips during the day the most exciting aspect of which was the smell of the spices in the big barrels outside the shops. The most delightful was the smell of cumin and “Falafel” was such a favorite because of that spice’s domination thereof. In a way it was no surprise to learn as I grew older that these same wonderful spices had health properties as well.

I’ve always been interested in “Natural Health” because I was brought up that way with a mother that knew something about the Appalachians and herbal traditions. She descended from “First People’s Indigenous” American tribes and was also interested in anything they used. Her own experience as a belly dancer who was around Greeks a lot  led her to the main herbal treatment that really helped me when I had “hyperthyroid” disease and that was “Hymetis”-also known as “Sage” which I drank as a tea.

As far as “Black Seed” (“Nigella Sativa”) – AKA “Black Cumin Seed” – it’s a remarkable herb with amazing curative properties. Found in “Tutankhamen’s Tomb,” centuries later the prophet Mohammed said that it was “a remedy for all diseases except death.” Christian and Islamic traditions consider it a “blessed oil” – in Arabic “Habbatul barakah, literally the “seed of blessing.” 

  • Analgesic (Pain-Killing)

  • Anti-Bacterial

  • Anti-Inflammatory

  • Anti-Ulcer

  • Anti-Cholinergic

  • Anti-Fungal

  • Ant-Hypertensive

  • Antioxidant

  • Antispasmodic

  • Antiviral

  • Bronchodilator

  • Gluconeogenesis Inhibitor (Anti-Diabetic)

  • Hepatoprotective (Liver Protecting)

  • Hypotensive

  • Insulin Sensitizing

  • Interferon Inducer

  • Leukotriene Antagonist

  • Renoprotective (Kidney Protecting)

  • Tumor Necrosis Factor Alpha Inhibitor

In the modern time there have been many studies of the pharmacological properties of the “Black Seed.” Many of the illnesses they say it cures or treats include the following: Type 2 Diabetes, Helicobacter Pylori Infection, Epilepsy, High Blood Pressure, Asthma, Acute Tonsillopharyngitis, Chemical Weapons Injury, Colon Cancer, MRSA, and Opiate Addiction.

“Vitalute” Organic Cold Pressed “Black Seed Oil.”

Anyway, I’ve loved regular cumin for a long time in Middle Eastern cooking. It might be time to give this variety a try.

Kabbalah Manifestation Secrets

“Lady Popular”: a Fun Game from Bulgaria

By Aziza Al-Tawil

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Two characters from Lady Popular in front of a recent Egyptian Backdrop.

If you enjoyed paper dolls as a child then you would probably really dig “Lady Popular,” an online dress-up game invented in Bulgaria several years ago. It was so “popular” they came up with an “International Edition.” There are many “special events” within the game that enable players to get their hands on unique dress, backdrops for their characters, and even furniture for a multi-level apartment.You can even have cars and pets. So far there have been many chances to have components for dressing your doll in a belly dance costume including Carrie Fisher’s sensational outfit from “Star Wars: The Return of the Jedi” (1983). I’ve had some nice experiences since I was asked by a lovely Bulgarian lady to join her club in “LP.” I’ve met and chatted with a lot of cool ladies from around the world and we even mourned together when one of our ladies passed away at the young age of fifty three. We dressed all our ladies in black and then we all voted for our deceased friend to go to one of the podiums. The dear lady made it to the “top” posthumously and perhaps unlike some other things in the world proved that women really can have close, sisterly connections and not just “competitive” ones.

Learn to Dance any Dabke Style

Gifts from Cathy

by Aziza Al-Tawil

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Was pleasantly surprised when my neighbor gifted me with 2 interesting books about Egypt the other day. One was a “Scholastic” book  about the country and the other was the autobiography of Jehan Sadat, a brave woman like Jackie Kennedy in that she saw her beloved husband Anwar Sadat assassinated in October of 1981.

The book reveals that Jehan had an English mother and an Egyptian father and was raised in Egypt. I remember so well the turbulent incident of her husband’s death and all that it meant in the world to different people with different opinions on what the correct course should have been in the political realm over there. 

Anyway, I look forward to reading the books!

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Rhythms for Belly Dance in the Golden Age of the Greek Taverna:  A Simple Primer

by Aziza Al-Tawil

Recent discussions with friends have given me pause to write an article about what the most popular rhythms were for belly dance in the “heyday” and how to understand how that influenced a person’s “Act” or “Set.” In the “Heyday” of the 1950’s and 1960’s in some cities the Greek Taverna dominated the “scene” as Greeks tended to have a very good knack for entertaining “The World”-not just themselves. Despite a lot of “bad blood” between so many people in the Near and Middle East the Greeks had a way of harnessing what made the people “alike” not different. Examples of this, for instance, was that the first song played by the band to kick off the evening was always a “Paso Doble.” Some forms of “rhumba” were played to add a touch more “Latin” to the proceedings also, but the main fare of the evening highlighted the shared culture of Greeks, Turks, Armenians, Arabs, Jews, and various other ethnic groups like Albanians, Assyrians, Phoenicians, and just about any others you could think of who once called parts of “Asia Minor” their home.

New Yorks City’s “8th Avenue and 29th Street” scene boasted  an impressive array of nightclubs within just a small area. Nicknamed “Bouzoukee Blvd” – it exploded in popularity right after Melina Mercouri made her big splash in “Never on a Sunday.” The song and the film were a worldwide hit and so the search for all things “Greek” was on. 

The foreign stars from Athens, Istanbul, Cairo, and other famous hubs of belly dance culture flocked to NYC, Chicago, Boston, and other Metro areas. Besides a culture that had a wealth of “line dances” there was also a tradition of “belly dance” in several countries. If you were a belly dancer in Greektown you were trained in all the rhythms to play on Darbucky because you were expected the night you worked not just to dance once or twice but to sit on the bandstand all night and play percussion for the other dancers. In other words, on percussion, dancers were considered musicians also.

The main rhythms that were acknowledged as true “belly dance” rhythms-where you can really show your “stuff”- was “Tsifte Telli” (Turkish/Arabic Spelling “Cifte Telli”) and “Arapiko” (Greek/Turkish for the rhythm known in Arabic as “Maksoum”). Now, you might ask, “What is the difference and why is one credited to an “ethnicity” namely the “Arab” and the other not?” Well, for one, it’s the actual rhythm that tells the tale.

One group of people with a thought or two on Middle Eastern music from a “musician’s standpoint” are, believe it or not, the “American Jazz Musician.” Jazz musicians, with a heritage of their own coming out of a part of Africa, of course mixed with some other musical styles like American Indian, European, and even Gypsy, found themselves easily drawn to the mesmerizing rhythms of the world of belly dance. (Yes, in it’s “heyday,” many musicians like Dizzy Gillespie (“A Night in Tunisia”) flocked to 8th Ave. and 29th St. to get some inspiration from the the great music going on there.

I remember when I was working with some Jazz musicians we had a conversation. They observed that a lot of Arabic music has rhythms where the accent is on the “Back Beat” and that Gypsy music as well as Turkish music tend to have more rhythms that accent the “Downbeat.” In fact in Turkish some that come to mind right off are “Cifte Telli,” “Karsilama,” and “Laz” (“Laziko” in Greek)-no doubt if I really stop think of a lot more of their line dances, I would probably find more of that example. The “downbeat” on a traditional drum is the “Doum”- or center of the drum. 

By contrast, many Arabic rhythms have the “accent” on the “Back Beat,” (or the “Tek” which is the outer rim of the drum) one strong example is the “Maksoum,” which we stated in previous sentences here was considered such an “Arabian Style” that in Greek/Turkish was called “Arapiko” – which in essence “dance of arabs,” the same way “Hassapiko” is “The Butcher’s Dance” in Greek, “Laziko” is “Dance of the Laz” people of the “Black Sea,” In fact the dance of “Hassapiko Serviko” is the name of a “Hassapiko” with Serbian Balkan influences. (Speaking again of the “back beat” in Arabian music don’t forget an old saying that Arabic belly dancers tended to dance “behind the beat”).

The portion of these words that are “siko” or “iko” seem to be a “call to action”- as it means to “stand up” or “get up.” For instance “chorepsi” or “horepsi” is the actual word for dance. But when “iko” or “siko” is present it’s like saying “Get up and dance the butcher’s dance with me” (“Hassapiko”) or “Come on get up and let’s dance like the Arabs (“Arapiko”). 

Also, I was interested to find out that a recent development has the Turkish word for Arab, namely “Arap,” has been used by some younger Greeks as an “ethnic slur.” Apparently, this has been the case since the war over “Cyprus” occurred with Turkey in the Summer of 1974, and by the 90’s Greeks in large numbers were turning their backs on shared roots with Turks and Arabs-some Arabs being “Christian” does not seem to matter-it’s as if they were lumped together with those dastardly “Ottomans.” Not to mention that certain cultures started “de-romanticizing” the “Roma”-“the “Gypsies”- to the point that they just didn’t want them to be themselves anymore. Turkey itself tore down their district “Sulekule” – itself the inspiration for many a Turkish song. Sadly, without “romance” our spirit dies and we’re just another group of people that get turned on when the world gets too crowded.

So, keeping that in mind, there is some talk of not wanting to call the rhythm “Arapiko” that name anymore. My only problem with that personally is that it’s basically saying “Arab” is a dirty word if it’s spelled in the “Turkish Fashion”  with a “P.” As an artist who hates to stir the “cauldron” of hate over all this is a bad idea. I wouldn’t let a handful of people dictate the change in meaning whether it’s over “Cyprus” or “9/11.” (Also intriguing are a small handful of other dances in different regions in  Greece called an “Arapiko” which are not only not done to “Maksoum” they don’t resemble each other at all-yet the question is: “Are they not related then to an Arab influence? If not, why then are they called “Arapikos” as well?” This provides food for thought. Two of the three dances in question feature just two men- one is a sword dance, the other a rather free form type dance, and the third almost a “mime piece” like something from ancient theatre.

Some interesting commentary on this latest development can be found on Shira’s Website – notice some footnotes under the info about Stelios Kazantzidis and his song “Ehis Kormi Arapiko” visit the page on her site here Arapiko Footnotes on Shira’s Site(Shira is now assisted in Greek translations and Greek folklore by dancer Panayiota Bakis Mohieddin, the director of the “Arab Hellenic Folklore Institute” located in the Boston area. Another page with some Greek words translated are here Words for Dancers to Know in Greek.

As for the rhythms that were “not popular” in the hey day for belly dancing I can mention two “right off the bat” that were not. Along about the late 1970’s to the late 1980’s there seems to be a craze to “belly dance” to the fast “Hassapiko” or “Kasop” rhythm as an “opener” or “entrance” piece. Some cases of this seem to be “on purpose” and in some other instances it seems to be a drummer veering off from the “Malfouf” rhythms, a popular fast rhythm amongst the aforementioned belly dance rhythms. It definitely suits just certain portions of a show though. The fast “Hassapiko”/”Kasop” can certainly be done for a brief time in an act with the hopping steps but you sure as heck don’t try to “belly dance” to it you would break a leg! Yet, I’ve seen video of some poor dancers trying to dance around to it as if they are about to have a heart attack. In the classic age, right before this you made fast entrances to fast “Cifte Telli” or “Fast Arapiko” (or you could enter “slow” for drama in your act-I always opened with “Miserlou” and entered with “mystery.”) The craze for a “break neck” speed opening in a very “frantic” un-danceable fashion seems to lie with the “Modern Egyptian” craze.

One type of dance that fits pretty nicely into a belly dance act is a “Saidi” cane dance. It was not that popular in America until the 1980’s I’d say but is not a bad choice as far as a rhythm goes. It is the second rhythm I can think of that was not that popular in the “heyday.” 

While “YouTube” is a wonderful source to watch many different dance styles from different eras the sad news is there is very little to show of the “Nightclub” or “Cabaret” show “set-up.” A lot of old “Egyptian Films” are a joy to watch but they have a “tableau” that fits in with their “story line” and sometimes the male love interest is singing to the woman, or vice-versa, etc so you’re not really seeing a five to seven part tempo change act.

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Wonderful album by Nina Record Co. with a lovely painting of Greektown NYC dancer “Lucy” by Val Arms and K. Prentoulis. Lucy was of Cuban descent. This record has a great rendition of “Apose Pou Eho Kefia” which is an example of the “Maksoum” rhythm being called an “Arapiko” by Greeks.

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Interesting back cover article of “Bring on the Bouzoukee”- not a “corny” description of the “Bouzoukee Scene,” but a rather “apt” one being that it is approved by Val Arms of the Greek newspaper “The Atlantis” and the Greek “Nina” records head honcho George Valavanis. This was the second “Long Play” album by “Nina” the first being “Festival in Greece” – a huge hit – featuring the “Continental Tenor voice” of Nicos Tseperis.

The more you explore old records and read info about rhythms the more “savvy” you will get when listening to them yourselves. Even though many old records are labeled correctly once in a while you will find a mistake. One Greek record I have has labeled something more like a “rhumba” an “Arapiko.” (Incidentally, The song “Miserlou” can be played to a rhumba rhythm quite nicely-it just sounds a bit different from the “Maksoum”/”Arapiko” because the “accents” are different. However, it does fit nicely).

If a belly dance was played to a particularly more Latin or French sounding rhythm it was said to be done in a more “Continental” style. A “Continental” style of playing was sometimes known quite well by the foreign musicians because, as stated before, they were well versed in “International” music and trends. One instrument that gave quite a bit of “Continental Flair” to Middle Eastern and Greek music was the accordion. (Interestingly enough, the people of India became fascinated with a similar instrument, the pump organ and it was adapted into a “portable” instrument called now the “Harmonium” because there was no use of tables at the time in Indian culture. This was around the 1860’s, but many years later there was a bit of a backlash against the harmonium as not being “Indian” enough in origin for use in “folk music.”)

I remember being amazed one time to see what had been I believe a very pricy “when new” keyboard by “Yamaha” that had the “Arapiko” beat on it’s selection of “programmable” beats. (Talk about “International!”

As with any of my articles, take as “food for thought”- further research can be done. I’m sharing what I know from experience with music as a dancer and as a musician as well.

 

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Mystery Belly Dancer for September 2017

By Aziza Al-Tawil 

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Graceful and lovely, it is hard to tell who this dancer was in “Honeymoon of Horror” (1964).

Well, despite the fact that belly dancers were really quite graceful demure beings compared to some other “exotic” acts of the era, they did hold enough “sensuality” to make their way into cinema fare known today as “sexploitation.” As a “genre” it has intrigued people because who wouldn’t want to “strip” a few layers away from a much more “prim” generation and see what they were really capable of. One such film, “Honeymoon of Horror” (1964) AKA “Orgy of the Golden Nudes,”  has a mystery belly dancer that is quite lovely in a party scene that boasts more outrageous fare (namely the “Golden Nude”- a human female version of the “Oscar” award statue). 

Honeymoon of Horror Mystery Belly Dancer

Charming belly dancer from the “sexploitation” horror film “Honeymoon of Horror” (1964) 

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“Orgy of the Golden Nudes” playing in Pasadena at the same time as the mainstream film “Topkapi” which featured Melina Mercouri and another belly dancer, this time, in Turkey.

Our little belly dancer has beautiful graceful hands and appears to have her “zil” on the correct hands. Would love to know who she is. The writer of this flick is Alexander Panas. I’ll say that’s Greek and perhaps a reason to see a belly dancer in his script. I do know one thing. It’s probably easier to decipher through IMDB the identity of the gal painted gold than it is to find out who our belly dancer is.

Orgy of the Golden Nudes

Alternate Title for “Honeymoon of Horror” (1964) was “Orgy of the Golden Nudes.”

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Music for Vintage Style Belly Dance Shows! “Arabian Fantasy!”

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Was absolutely thrilled to find this CD (Available in digital download here) which is also available in “Vinyl.” It was tough for a while to really find Middle Eastern music that really could be set up like an old 5 and 7 part routine without having to just scour through cd odds and ends. (Some of the stuff they put out in the late 1990’s and early 2000’s just sounded like background music for a restaurant not a show). The other crazy thing was realizing that a lot of “public domain” stuff was out there that ended up on new “CD’s” without crediting the original musicians or sources. In fact, they took it a step further and just renamed the stuff and came up with fake bands. That aspect of it remains a problem but I’m happy to report that at least a really good release has come out to serve a lot of tempo changes and the music is divine and sounds more like a show.

Even though we all just love and still appreciate the shows we can do to “live music” it’s great to know that there is a “lively” option with Arabic music to do a show with. (I can elaborate more on Greek choices in another post, etc.) The Arabic music was one of the worst to suffer the post “synthesizer” age.

The CD is called Arabian Fantasy and it is gorgeous! From the stellar version of “Ah Ya Zein,” the lovely “kanoun” infused “Taksim Layali,” to a fabulous drum solo “Beat of the Harem,” you just can’t beat the choices here to mix and match for a show.

The link for the “Vinyl” Version is here:

Arabian Fantasy

I recognize one of the tracks from one of my old Naif Agby records and the name they give it does not match, so again, beware of fake names given to these songs and bands, but they are surely a delight to dance to!

Esma Redzepova Has Left Us-Special From Egyptian Chick Magazine

Esma Redzepova is Gone!:

By Aziza Al-Tawil

I’m very sad to report that “The Queen of the Gypsies,” Esma Redzepova has passed away at age 73. She was born in Skopje, Macedonia, when it was part of Bulgaria, started singing at ten years old and went on to represent her people and their songs to the world including command performances for various world leaders. She and her husband, bandleader and manager Stevo Teodosievski, fostered 47 children.

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Ezma Redzepova

A wonderful CD called ” Gypsy Carpet” is available at Amazon (Click title for details). I was listening to this and am particularly fond of the song “Bistergan Man” (“You Forgot About Me”). I made a “YouTube” video when I heard the news, remembered another favorite song of mine she performed “Sastalise Tsigane”- a song which I heard many renditions of growing up in the Greek Tavernas which were truly an international scene.

On YouTube: Aziza Al-Tawil Remembers Esma Redzepova

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Esma Redzepova and Band

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Egyptian Chick Magazine October 2016

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Letter From the Editor

Was terribly disappointed to hear that politicians in Egypt are trying to keep their clock set back to “the Dark Ages” by pushing this whole “Virginity” test of women thing. Amazing that the humiliation and torture of women still seems to be the main agenda in so many countries in the Middle East. Apparently, no one cares about rape, or other issues that actually matter. We must uplift our sisters who are continually beat down by these societies and stand vigilant for their fair treatment. “Egyptian Chick Magazine” only promotes and condones the humane treatment of our fellow men, women, children, and animals. We are “Progressive” not “Regressive.”

In the Mid-Atlantic of the United States we are entering into the “Fall” season and the changing of the leaves will be the “big show” here soon. For those who enjoy the “Halloween” holiday and it’s “dress-up” and “fantasy aspects,” they will shortly be able to express themselves in full measure. 

All of the ladies featured in our magazine this month are very creative indeed and also enjoy the fun at “Halloween.” They made interesting subjects indeed for the October issue. Just wish all women could have the kind of freedom we have.

Right now, “Egyptian Chick Magazine” is taking donations so we can upgrade the site to be more “monetized” and have higher quality visuals and editing tools. Expansion and a broader budget (we have virtually no budget now) will allow us more freedom in planning fashion shoots, location shoots and interviews, and give us more SEO planning tools. If you have enjoyed the magazine and you would like to help, the link is here:

Support the continuation & expansion of “Egyptian Chick Magazine” Donate Today

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“Girl of a Thousand Faces”

by Aziza Al-Tawil

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15 Year old Elizabeth Tweel always knew she loved art, but then she saw a face painter during “Career Day” in the 5th Grade and she was hooked on “Stage and Special Effects” make-up. The Charleston, WV area teenager performs with her school’s theatre class and show choir and plans to go to an arts oriented college afterwards so she can one day turn her talent and hobby for make-up into something for the professional stage and screen.

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Elizabeth and her brother David at the “Mothman Festival”

Her father Brian shares her love of the “macabre” and often joins in the fun during seasons like “Halloween.” In fact, West Virginia has been known to be somewhat of a hub of paranormal activity. One event the Tweels enjoy is the “Mothman Festival” in Point Pleasant where visitors can join a host of informative activities relating to the famous “Mothman Prophecies” incident that foretold of the “Silver Bridge Collapse” in 1967. Other famous monsters in WV include the “Flatwoods Monster,” the “Grafton Monster,” “Bat Boy,” and good old “Sasquatch.” West Virginia is also no stranger to ghost tales and UFO sightings.

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Elizabeth Tweel and one of her creations

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Elizabeth Tweel with some visual trickery make-up

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Elizabeth Tweel revealing the surprise

 Elizabeth in natural make-up. This young lady is going places!

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The Tawil and Tweel families honor the memory of their late cousin Danny Thomas, comedian, actor, humanitarian and founder of “Saint Jude’s Children’s Research Hospital” in Memphis. Please donate today.

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Desideria Masheed in Green with Sword

“A Dancer’s Passions”: Desideria Masheed

by Aziza Al-Tawil

Desideria Masheed is known as “The Jessica Rabbit of Belly Dance,” but who really is this red headed, passionate, and talented lady? No less than a very highly trained dancer well versed in the technique of ballet, Flamenco, Latin, and of course Belly Dancing. Growing up in a show business family in NYC seemed to literally set the stage for her childhood entry into the world of dance. Her father was a famous magician and her mother was a dancer.

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Desideria in Nightclub

By her teens, Desideria was a performing artist herself, working as a dancer, percussionist, snake charmer, “Pin-Up Model” and costume designer. Her beauty, versatility, and fire got her work with many top bands from “Latin” to “Rock” including Carmen Carrasco, Raquel Lima, “The Afro Andes,” “Jon Astor Band,” and even punk legend “Joey Ramone and Cheetah Chrome.” These were exciting times that found her hanging out with the likes of Tito Puente, Celia Cruz, and La India and performing for celebrities like Bruce Willis and Demi Moore and Al B. Sure around the New York and New Jersey area.

Desideria has been a “diligent” dancer trained in ballet since age 3,and in Jazz, Afro Cuban, Samba, Flamenco, and then Arabic/ Oriental and Indian dance starting in the 90’s. Her first Middle Eastern Dance instructor was legendary Serena. 

She says, “I am very into the cultural-but a rocker at heart. I also sing since my teens with bands. I am a second soprano singer and have sung all forms of jazz , blues and rock have been working on songs for my next music project.” She can also balance just about anything on her head.

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Desideria by Mike Chaiken Photography

To those that know her Desideria is also known for her tender heart. Living in Jersey City on “9/11” she volunteered for five days and rode one of the boats across the water to help other workers. In fact, she almost lost her brother-in-law in the incident but he escaped from the second building. Desideria wanted to help all she could but remembers “It was horrific.” She said “it was a very bad time for people volunteering” because they were so “distraught” and in “shock.” So much so, most coming back from the city were “unable to eat.” Desideria and other people from her building in Jersey City lost “co-workers, associates, and friends.” Desideria is haunted by the painful memories of that day but those who her know  also know what a “resilient” lady she is.

An interest in ethnic culture is evident in Desideria-she speaks four languages, and is a European, Middle Eastern, and Indian gourmet cook having studied culinary arts for years. She is the first person to tell you that learning new things is one of the greatest things someone can do because it feeds the soul. In her career she has been fortunate to be able to perform in foreign countries including Morocco, Venezuela, and Copenhagen, Denmark with their answer to “David Bowie,” Ras Bolding. Her own ethnic background is very multi-cultural including, Italian, Russian, Gypsy, Spanish with a sprinkling of Kashmiri.

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Desideria and her late kitty “Damien” whom she still grieves

During this “Halloween” season I asked Desideria to reminisce about any black cats that have “tip toed” into her life over the years. She told me that she even had a family of five black cats in Connecticut for 8 years. After moving to Puerto Rico she worked for local rescue organization “Save a Gato” beginning in 2013. She says “All cats are joyful, loving, smart, and loyal creatures. Black cats are special indeed. Like mini panthers-so playfully observant and smart.”

 

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Desideria’s Black Kitty “Isolde”

 

She loves the beauty of Puerto Rico but Desideria is planning to return to the United States because the economy of the island took quite a hit when rumors of the “Zika Virus” began to deter some of the usual tourist trade.

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Desideria performs traditional “Egyptian/Moroccan Belly Dance” as well as “Dark Theatrical Cabaret” where she performs her own creation “Raks Shocki” to “Goth” and “Metal” music. She has performed for weddings, festivals, fundraisers, and even hosted her own monthly belly dance show at Mehanata’s Bulgarian restaurant in NYC. She was also featured on the South American TV Show “Blanco TV.”

Desideria is also someone who knows the importance of “spirituality” for personal progress as well as healing. She is a natural health consultant, herbalist, and “Reiki” practitioner 1, 2 & 3 and as of 2010 she has been certified in the “Dolphina Method of Goddess Workout.”  On Facebook she runs a boutique gift shop called “Dark Decadence Emporium.” Her first book of poetry was released in 2007. All the years I’ve known her she has been drawn to the “Magical” and “Mystical” of our universe, and with “All Hallows Eve” approaching I can think of no better cover girl for the October edition of our magazine.

 

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Desideria by Mike Chaiken

 

  Online Fashion Shopping Platform

Dark Beauty: How About some Basic Black for Fall?

By Aziza Al-Tawil

Egyptian Armenian Hungarian American model Josie Homonai wears the smoky eyes and pale frosted peachy lip look here with a black sweater and scarves.

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Model Josie Homonai-Black sweater and scarves, Smoky Make-Up and Pale Frosted Lips

African Black Soap:

Coastalscents

Vintage Masquerade

by Aziza Al-Tawil

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Vintage Casino de Paris Ad

 

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Vintage Halloween Costumes

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Vintage Harlequin Child

Vintage Postcards

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Adelaide and Hughes “The Cat”