Egyptian Chick Magazine September 2019

Egyptian Chick Magazine September 2019

Letter from the Editor:

Greetings everyone! I’m excited to bring back “Egyptian Chick Magazine” after a long hiatus and bring you some fresh and inspiring content. Our guest dancer who we profile along with her mother “Samira” and her daughter dancer “Elayssa.” In fact, the “mother daughter” dynamic is also at play here in a remembrance of my own dancer mother Johanna and a favorite hat of hers.

On another topic there is an article I actually wrote about a year ago about the legalization of hemp and it’s uses in “Ancient Egypt,” etc. Think of this article as “better late than never.” Also, we remember actress “style icon” Valerie Harper who passed away at age 80 last week.

There are a few shopping ideas at the end of the issue- some for lovers of “Turkish” coffee.

Hope everyone enjoys the end of Summer and is prepping for a beautiful Autumn season.

(Donations for the publication can be made at my “Artistic Fund” at this link: https://social.fund/pkbvqt/ )

Thank you, Aziza

My Mother and Her Spanish Hat

by Aziza Al-Tawil

The Iconic Ali McGraw in a Spanish style hat.

One of the many memories of my mother I was left with since her death was the way she loved her “Spanish Hat.” My mother Johanna, before belly dance, had given her all not just to ballet but the study and professional performance of “Flamenco.” (I would learn later that our Roma Gypsy ancestor had a similar fetish for a similar hat, only with the ball fringe around it-perhaps proving just how much we inherit some “feelings” from our forebears, the memory they say “DNA” carries). Johanna’s Spanish hat was a favorite of hers that she wore quite often when I was growing up in NYC. By then it had been with her since probably at least the early to mid 1960’s when hats were still “de rigueur” – in fact the decline of hat wearing amongst men was blamed on John F. Kennedy around the time Johanna probably purchased her big, dramatic “Spanish” chapeaaux.

A young Diana Rigg in one of these “Spanish Hats.” My mother’s had the taller “crown” like this one.

Despite JFK’s effect on the Men’s millinery industry, women’s hats and gloves to a certain extent continued in popularity into the early 1970’s with glove wearing fading first – hats seeming to have a little more “life” left in them being available rather “scattershot” even through the 1980’s. I’ll never forget though how, by the time I was a teen and we had left NYC for Charleston, WV., that hat of hers freaked me out. I was at an age where everything embarrasses you, you are worried about what everyone in school will think and that if you’re too different you will be the “butt” of jokes.

The Ever cool madonna looking quite the “Gaucho” in this one.

I will say that Charleston, WV always had a reputation for finely dressed citizens and some very “swank” department stores like “Stone and Thomas” and “The Diamond.” However, nothing prevented or balmed the horror I felt every time she put that hat on to go somewhere with me in public. (I already had classmates teasing me for wearing dresses, being a “Gypsy,” and it was not uncommon for some lusty, awkward boys to paw at my clothes in the hallway breathlessly saying “Sexy” or “Silkyor “is that color wine?”

My Mother how I love to remember her: In a Paisley “Mini Dress” – here trying on hats at a K-Mart in Charleston, WV. This spanish looking hat is green Felt. Her black Spanish hat I was used to seeing her in was black and woven straw for summer.

Looking back, I think my mother and I should have been “Californians” if not “New Yorkers.” From people I’ve been in contact with from there it seems like it might have been a more “eclectic vibe” than the one in Charleston, WV at the time. After I got out of school we headed for Boston and I started belly dancing again. My mother was still wearing hats when she felt like it from Boston, to Orlando next, then to North Carolina where she passed away in 2012. A couple of years ago, I returned to Charleston, WV where I’ve run into a few school friends. Two things have happened to me since I was a teen. Number one, I’ve forgiven the awkward boys that called me “Gypsy”- I want their hands to touch me again – the light flicker of a finger on my skirt – the burning of my blush as I turned away – I want us all to be young again – only not afraid. After all, I thought a “Pac Man” arcade across from the school was some kind of “den of iniquity” – me who grew up in nightclubs gyrating in bugle beads to the sounds of “Opa!” and “plate breaking.” Just what did I think would happen in a room full of “joysticks?” One of the boys that used to chase me in the halls and try to kiss me died recently leaving a widow and little kids. Yes! I want us young again! Damn it! Tears now…(Oh, Chris, why did you have to die? Love you my friend….)

Then there is my mother. So many mothers leave us and when they do there is nothing to prepare us for this. Just nothing! When they are vibrant, creative, larger than life types it amazes us more. We thought they were “immortal” didn’t we? The second thing to happen to me is that I would give anything on earth to see my mother in that damn “Spanish Hat” again – putting the final touches on herself before we headed out the door. I cry for one more time – one more chance even to be embarrassed by her. In fact, I guess I outright beg God to see her in the Spanish hat again and hear her say to me the running joke: “Ole Sabicas!” As I write this though – I feel the gentle touch of something else. Her spirit beside me – telling me that everything is alright. On the other side our spirits retain all that we loved and we never fear what others will say. Yes, the tears that started are starting to dry. She is right after all. As she always said, “Mother’s are always right.”

“Of Lace and Dreams”: A California Dance Dynasty Keeps Traditions Alive

By Aziza Al-Tawil

Samira and her line of “Lion in the Sun” Persian Lace

I recently had the joy of interviewing Jenza, a wonderful dancer from California with some wonderful memories to share about the world of dance she knew and how her mother was a catalyst for the journey.

Aziza: “I know your mother was in the belly dance scene and like many “mother/daughter” scenarios it was something great you shared together. Tell us what got your mother interested in the art form and how did she get started?”

Jenza: “My mother was looking for something to do, so a close friend urged her to go take belly dance with her……belly dance classes presented by the City of San Dimas in 1975.  The instructor was very overweight, but moved like a gazelle – light as a feather.  I think her name was Elaine, but I am not sure.  She was impressed with the instructor, and immediately was hooked.  She got me to join her in the winter session in late 1975. By then, she began making costumes.  By the end of 1976 my mother had a troupe (of which I was a member), made the costumes, and we were involved in performing at the 1976 Centennial celebrations for the City of San Dimas.  She did not become a professional dancer, but instead continued to dance with her troupe in local showcases, and became the best costume designer in the area.  She went into business as Samira-Costume Maker.  She designed Persian Lace costumes, highly embellished Afghani style dresses, and even beaded bra/belt sets.  (she hated beading, but she was commissioned to do these and she did not want to refuse).  Within another year my Mother was the national representative in the field for Lion in the Sun Persian Lace fabric, designed costumes for them, and traveled the USA to festivals and workshops to sell the fabric and her costumes.  She was a mover and a shaker in the belly dance scene, becoming the first Vice President of the Middle Eastern Cabaret Dancer’s Association in 1978.

Jenza and her lovely mother Samira, 1970’s California.

Aziza: “Tell us what intrigued you the most about belly dancing and any memorable events or shows with your mother?”


Jenza: “Belly Dancing intrigued me because it felt “exotic” and “freeing” for me because I was painfully shy.  I was performing after a year in my mother’s troupe.  My first solo performance, however, changed my direction and changed my life.  It was in the Centennial Celebration put on by the City of San Dimas.  I performed to “Inta Omri,” though I wanted “Zaina” as first choice.   The music was prerecorded by a friend from a record.  I stepped out onto the stage shaking, terrified.  Something changed, I found I craved the attention of the audience.  It became exhilarating.” 

“Jenza” Circa 1978 Unknown Photographer


Aziza: “Tell me a little about your journey as a soloist, being in nightclubs. What were favorite clubs or music/musicians to work with? What was your favorite song to dance to?”

Jenza:  “On October 3, 1977 I auditioned for a job at the Cascades in Anaheim, CA owned by Lou Shelby (who owned the Fez prior to this)  I was paid for my audition and was hired for 3 nights a week.  This was my first gig and lasted about 8 months.  I was in heaven, the music was heaven, and Lou Shelby the best boss ever.  He always sat down with me every so often to check in and make sure I was enjoying the job and to get to know me.  He did this with every dancer.  There was no one else like him.  I can’t remember all the musicians that were there, but I do remember dancing to John Bilezikjian for the first time at this club.  And, the up and coming Aziz Khadra who often appeared with John, and made a few record albums of his own.” 

 
Mr. Lou Shelby decided to put together an ensemble show with some of the girls.  I was only interested in solo work, so instead of just letting me go, he called up Van, (can’t remember his last name) the owner of the 7th Veil and got me hired for a new gig.  I began 3 nights at the 7th Veil in Hollywood, CA. in the summer of 1978 and my career exploded after that.  The music there was fantastic but the most memorable thing I remembered was either in 1978 or 1979 the Middle Eastern music students from UCLA would come in to “jam” on Saturday nights for a month of so.  IT WAS SO FANTASTIC…. Extra musicians/students with extraordinary talent joined the house musicians…..it was heaven on earth.  I have never danced to such joyous music.”


“One of the biggest influences I remember was Suhail Kaspar, a drummer who worked everywhere it seemed.  I got to know his style so well and eventually could anticipate every thing he could throw at me.  He had a reputation for quite a big ego and this was true.  I got a taste of that ego one night as I came in to “Haji Babas” where we were working together.  I walked past him and did not say hello.  Later, during my show, he and the other musician’s changed the pace and music to get back at me.  He played something totally unknown with sudden changes in rhythm.   I realized what they were doing and started laughing during the show…as I could not help it.  I could keep up with everything and I surprised the hell out of him.  He had respect for me ever after and I loved that.”

Aziza: “As you went along in your dance life, looking back, who would you say were your biggest inspirations/influences in belly dance?

Jenza: “I saw Bert Balladine and Tonya Chianis in performance when I was a student dancer.  Later I attended workshops by each of them.  Bert taught me how posture, gesture and the breath can bring power to a performance…adding drama to my own style.  I loved Tonya’s exuberant Turkish styling…lively and fun.  I literally took years and years of classes from her.  As for Delilah (of Seattle), she took my breath away.  I saw her after I had been dancing for a couple of years.  Her style was quintessential cabaret….with a heavy influence of Turkish.  To me, she was a goddess.  I wanted to dance like her so much.  I learned floor work from her workshops.  She was my top influence in my early professional yearsand I don’t want to forget, Marina of “The Itinerant Dancer.”  She taught folkloric styles to dancers from all over southern California.  We all were influenced by her and her classes made us all better dancers.

Aziza: “In your area of the country did you notice the “dying out” of the club scene and if so how did it effect you?”

Jenza: “Yes, I did notice and was disturbed by the passing of an era.  I danced professionally from 10-3-77 to 10/1994.  The clubs began disappearing one by one until there were only a few left.  I had to drive to another county to work by the 1990’s (Orange county) and there was a larger population of Persians and Lebanese in Orange county it seemed.”

Aziza: “And your daughter is carrying on the “tradition” I hear?

Jenza:My daughter began dancing at the age of 16.  Her dance name was originally “Sa-Elayssa” which meant “with all her heart” in Romanesh according to her father ( a full blood Romani whose family came from Serbia and Russia).  She later changed to name to just “Elayssa” both professionally  and personally.


She was already very good by then, but came into her own in her 20’s.  She worked as a belly dancer and as a “go go dancer” in Hollywood, CA and as a belly dancer in San Francisco..  She reached a high level within the community.  You can see her in many IAMED video’s from the 90’s and beyond.  She danced with the famous troupe Yalail (Janaeni and Ansuya Rathor) for a time, went to India with them.  She was the creative director for the troupe Desert Sin, a troupe that performed Fusion pieces.  She topped off her career with her own troupe called Elysium Dance Theater of which she danced traditional, Persian folk dance, and Fusion.  

I believe I already talked about my mother.  She continued to make costumes even after the store “Lion in The Sun” closed down in the early 80’s.  During the 90’s and the 2000’s the gypsy skirt was popular.  I saw a gorgeous full multilevel gypsy skirt at “Rakkasah” during that time period.  My Mother was with me and said I know how to make that, lets make some.  We made and sold many of those 12 yard monster skirts together.for about 10 years.   I am retired now (though you never know, I might get into it again just for fun).  My Mother is retired and 83 years old this year.  My daughter retired from the dance to be a Mother and I am a proud grandmother of a beautiful 3 year old boy, Lucas. ” 

Hopefully for all of us, “”Jenza” and Family will continue to delight audiences for years to comeAziza

Hemp Legal In U.S.: It’s Uses in Ancient Egypt

By Aziza Al-Tawil

Seshet from Luxor

There has been a lot of talk about the recent legalization of “hemp” and “marijuana” and the products derived from them. There has been a long history of hemp and cannabis in the Middle East. In fact, “Qanbes” the Hebrew word for “Cannabis” is mentioned as the word for “Hemp” in relation to clothing that was made from the fiber.

Cannabis pollen was found on the mummy of Rameses the II and all other Royal mummies.

Cannabis on “Papyrus.

The Goddess Seshat’s symbol from ancient Egypt is a contextualized seven-leafed plant (she is a scribe, which means she is a magician).

The first ritual acts of temple building were accomplished by the pharaoh, who played the role of the creator deities. He was aided in this and related tasks by Seshat, goddess of measure, who helped him stretch the cord used to survey and orient the plot. Pyramid texts identify the plant used to make cord and rope as “smsm,” the Egyptian word for hemp.

There are types of Cannabis that come in 5, 7, and 9 leaf varieties

It is known that cannabis was used recreationally during Nile-flood celebrations in the 12th Century, and that it was present in Egypt thousands of years before that found on the mummy of Rameses II (1275-1229 BC), and in the tomb of Akhenaten (1352-1336 BC).

Modern research shows that Egyptians used cannabis, and knew about its aphrodisiac properties. For example, experts at L’Oreal perfumes recently teamed up with the Centre for Research and Restoration of French Museums, and reconstructed “Kyphi” perfume, an aromatic mixture used by pharaohs to prolong their lives and enhance their sex drives. These perfume experts and Egyptian scholars told the media that one of the key ingredients of the Kyphi perfume was cannabis!

Dabke Dance-Learn Easy: https://egyptianchick.com/how-to-dance-dabke-with-samir-hasan-2/

Remembering “Rhoda”: A Style Icon from the 1970s Has Left US

By Aziza Al-Tawil

Charming Childhood” – Young dancer Valerie harper in Cape with finger cymbals.
RHODA,” Valerie Harper, with that famous scarf, circa Season 1, 1974-1975.

Was terribly saddened to hear of the passing of Valerie Harper, the star of the quintessential 1970’s New York sitcom “Rhoda.” My mother Johanna met Valerie briefly when they marched together in the “women in communications” group in a street demonstration against the prevalence of “smut and crime” that proliferated in Mid-Town Manhattan at the time.

Valerie as “Rhoda” really rocking a peasant blouse look

For me, “Rhoda” represented the kind of woman I yearned to grow up to be. One bold enough to say what was on her mind yet feminine and still retaining a touch of vulnerability.

Valerie harper as Rhoda wearing a really cute 1970’s style sweater with purples, Gold, and Black.

Rhoda’s creativity in work as a “window dresser” and in her own personal style was also encouraging to those of us girls who embraced our “free spirit.”

“Rhoda” with coin Necklace on a hilarious episode of the “Mary Tyler Moore Show” wherein she talks mary into going to a meeting of the “The Divorced People’s Club” even though neither had ever been married.

God bless Valerie! She outlived the diagnosis given her a few years ago through will power and sheer “joie de vive.” Any girl should be glad to have such role models.

With a somewhat “Rhoda” vibe, the author Aziza with a fancy “headwrap” before a “Kwaanza” drumming show a few years ago.

Some Exotic Gifts for Everyone

Whether you like belly dancing, or Turkish coffee even, you’re bound to find something in Aziza’s shop on “Red Bubble.” The items featured below just “scratch the surface” – the same designs are available on up to 60 or so different products. Visit http://trashpunk.redbubble.com for more great ideas.

Lightweight sweatshirt- Men’s and Women’s “Turkish Coffee Lovers Gift” Idea!
Vintage Belly Dancer Johanna on Colorful Coasters

Egyptian Goodies at Amazon: https://egyptianchick.com/egyptian-goodies-at-amazon/

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Egyptian Chick Magazine: “Grave Caller” Release

 

grave-caller_full New Poster

DVD “One Sheet” art for “Grave Caller” with Aziza Al-Tawil, Joseph Anderson,  Kate Bryant, Vanessa Cuccia, Jacob Crickenberger, Nathaniel Grauwelman, Ray Zupp, and directed by Joseph Anderson.

Hi everyone! Renting a movie this weekend? Well, if you are anywhere near a “Family Video” store, the largest chain in the country, and you like “thrillers” then you should go to the location near you and rent my film “Grave Caller” which came out just over a week ago.

I play a local psychic, who’s not very good at what she does,  in Alderson, WV in a flashback to the 1980’s portion of the film.  I have a scene with the fantastic star of the film Jacob Crickenberger. We worked together so well it was a joy for all including the crew. I truly see a bright future for this young man whose acting reminded me a great deal of Henry Fonda and Clint Eastwood. The other cast I did not work with seem to be impressive as well and I hope they get the boost they deserve from this endeavor.

Aziza Black Gauze Dress.jpg

We shot this on location in Alderson, WV and the scenery around the famous Greenbrier River is remarkable. The director and writer Joseph Anderson is an artist and a true visionary whom I hope does more film work as he could very well turn out to be an American Ingmar Bergman. 

I’m currently doing pre-production on some new projects but until that time you can go rent “Grave Caller” at “Family Video.” I will keep everyone posted on anything new.

Thank you and God Bless you! Aziza

Please support this magazine by shopping through our links.

Great Deals at Amazon 

“Gothic Furniture from Design Toscano”

Egyptian Chick Magazine May 2018

The Magazine for women who love “the exotic” in life…

  Egyptian Chick Magazine May 2018

 iPhone 8 & X Cases

Letter from the Editor:

Well, hair coloring has come a long way since the ancient Egyptians used “lead” to darken their hair, and some others, like the Romans, used everything from earthworms, pickled leeches, and pigeon excrement as hair dyes. You are probably thinking “Thank God!” and you would be right. Although there are vastly different methods employed now there is one thing going on that has had several “revivals” throughout history: “Fantasy Hair Colors.” The ancient Egyptians favored “blue” for wigs, as recently as the 1930’s and 1960’s there have been spurts of popularity. (All ages of women indulge in this at different times but I admit one of my favorite people to wear funky hair colors was “Mrs. Slocombe” on the British comedy “Are You Being Served”).

Mollie Sugden as Mrs. Slocombe with Green Hair on Are You Being Served.

The wonderful Mollie Sugden as “Mrs. Slocombe” on the classic British Comedy Show “Are You Being Served.”

In this issue we’re going to meet the latest stylist to take the coloring world by storm, Gina Forestieri. Gina is a fave in the “O.C.” and Los Angeles area for her absolutely stunning hair coloring talents that can literally mimic the colors of gemstones to a “tee.” Really, her work is no less than remarkable and that is why she is our “Artist of the Month” – because – after all – isn’t hair styling an “Art?” Gina was featured on “The Style Network’s” series “Split Ends” (“Gina Forestieri and Alexander Hernandez,” Season 3).

Gina is our cover girl and we were fortunate to have her lovely mother belly dancer/artist Susanne Forestieri as our cover girl in April of 2016. 

Pastel Hair Dyes in the 1930's

Sample ad photos for “Luminex” pastel hair dyes by “Rincage” in the 1930s.

Not living near Los Angeles, I was not able to get a “fantasy hair color” make-over from Gina so I took the plunge my self. I had tried out pink lipstick and an aquamarine eye shadow stick last summer – just to put a couple of streaks at the top of my then “platinum” hair. I thought it looked cool so I decided to go full throttle a few weeks back when I had a new costume ready. The results were interesting and very theatrical but not quite what I expected so I let the sort of “sea foam” green wash out.

Sea Foam Green Hair Color

Me, Aziza Al-Tawil, trying sort of a bright “Sea Foam” Green looking hair color. I think I would have liked Pink better.

Vintage Haircolor: Instant Bright Hair Colors 1960s by Napro

Some temporary instant hair color in an aerosol can from “Napro” 1960’s

My latest hair color? Not pastel at all just plain old Joan Jett “Black” – that shade of black that’s really shiny and true – “blue black” with no warmth. Thinking of Joan Jett here! And, of course, Cher and Linda Rondstat too. (But what’s to stop me from putting a pink streak in, of course?”)

Joan Jett in Fuschia Top

Joan Jett in a Fuschia top in the 1980’s.

Also in this month’s issue I explore the history of the image of the “Blackamoor” in pottery and jewelry. “Mystery Belly Dancer” is back too. Hope everyone had a great “Mother’s Day” and you enjoy the issue.

Artist of the Month: L.A.’s Hair Stylist Extraordinaire Gina Forestieri Shows Her “True Colors”

By Aziza Al-Tawil

“So don’t be afraid to let them show…your “True Colors”…your “True Colors”…are beautiful…like a rainbow.” –  Cyndi Lauper

Gina Forestieri Relaxing at Home

A beautiful pixie, Gina Forestieri brings magic to all her clients.

Our spotlight “Artist of the Month” is actually a lady who works in the medium of hair styling, which could definitely be described as a type of art, and if it wasn’t she would certainly bring it validation as such through the sheer creativity she brings to her clients. Gina Forestieri was in no short supply as child growing up, with parents like visual artist painter Susanne Forestieri and musician Lou Forestieri. Her mother encouraged Gina to enjoy countless hours of creative expression through things like “dress up” time and in fact it was this subject matter-little girls playing dress-up-that led to Susanne’s own recognition with a National Endowment for the Arts Prize in painting in 1992. Lou’s piano and clients for his talents at composing and arranging no less left an impression as well. Besides hair styling and coloring, Gina, a fan of the mystical beauty of “elven forests” and the “paranormal” has also found a niche in creating whimsical miniatures. I was so lucky to catch with this fascinating and charming lady and ask her a few questions for our readers. 

Gina Forestieri and Hand Painted Hair Extensions

Gina and Handpainted Hair Extensions

Aziza: Gina, we grew up in New York together and it’s great to see the creative baby I knew has grown into a creative woman as well. You decided to be a hair stylist – what led you to that path and tell us a little bit how you became one of the personalities on the reality show “Split Ends?”

Gina: Me and my old boss and a few of my co workers decided to try out for the show. We actually tried one year and didn’t make it on and went back for season 3 and they picked us. The show was about swapping hairstylists in different salons so I was picked to swap and of course drama ensued.

Aziza: You are known as a “magical” expert “colorist”-down to being able to copy the look of various gemstones, etc and have done well during the “Fantasy Hair Color” craze. When we were kids, Tish and Snooky of “Manic Panic” seemed to lead the parade during the “Punk Era” in Manhattan. Do you think this last craze for unique hair colors came from the live action film they made based on the 1980’s cartoon “Jem and the Holograms?” Or a renewed interest in “Unicorns” or “mermaids?” What is your take on what started the craze this time around?

Gina: I think everything comes back around at some point and with social media at our fingertips, people’s creativity is endless. I think looking at pics of other people and there work inspires and drives stylists to do more and more. Also with everything that’s been going on here and around the world I think people are just like “Fuck it! I want to be me and I don’t care what others think!” Hair color technology has also grown so much, things are possible now that were not possible even 10 years ago.

Aziza: You are a native New Yorker and live on the West Coast now. Both of your parents were artists, a talented pianist for a father and a dancer and painter for a mother. Before deciding to be a hair stylist did you ever foray into their artistic mediums?

Gina: Seeing my parents struggle in the arts kind of made me want to go another route but undeniably it’s in my DNA. I unfortunately didn’t get any of my dad’s musical talent other than just a love of music but I do like to sculpt and I am working getting some items up for sale on Etsy.

Miniature Gnome House by Gina Forestieri

Gnome House Miniature by Gina

Aziza: You are a designer not just of hair but of crafts like charming miniatures and have a love of mystical things like Harry Potter. Let our readers know where they can view and purchase your wares.

Gina: As of now, I can do custom orders and have pictures of my art on Instagram @wintermagick.

Gina's Miniature Soup and Bowls

Miniature egg drop soup and bowls by Gina Forestieri

Aziza:You love nature and take wonderful photos of the outdoors. You seem to be content. Are there any other dreams though you’d like to tackle and experience that you’ve not gotten to yet? 

Gina: I am a happy person because I am selfish and always do what I love no matter what. You never know what the future holds but I want to buy a house, that is probably my biggest dream. SoCal is so expensive and it is nearly impossible around here! I also would love to move to the pacific north west because I loath hot weather but I couldn’t fathom leaving all my wonderful clients I have here in the OC and LA and I do get people visiting me from all over. I am so lucky to have those people who support me!!  

Miniature Fountain Spewing Fantasy Water by Gina Forestieri

Miniature Fountain by Gina

!960's Belly Dance Club Men's Short Sleeve T-Shirt
!960’s Belly Dance Club Men’s Short Sleeve T-Shirt by nostalgiaamericana

Lost Racehorse of Pompeii

By Aziza Al-Tawil

Mount Vesuvius erupted in 79 Ad. In May of 2018, researchers have excavated and found an ancient stable.  There is preserved the last day in the life of a racehorse.

Pompeii Race Horse Found

Remains of a thoroughbred racehorse found in May of 2018 at an excavation site in North Pompeii.

Egyptian Goodies at Amazon

Mystery Belly Dancer From “Warrior Queen”

by Aziza Al-Tawil

The Actress Sybil Danning made a career out of “exploitation” films, some of her most notable being during another round of popularity of “Sword and Sandal” flicks (also known as “Peplum” films because of that feature on the skirts of some of historic male characters, etc.) “Warrior Queen” has quite a bit of “sexploitation” (As did some of the “New Wave” post apocalyptic flicks of the 1980’s) but is by no means “hardcore” porno. In fact, the violence that does occur in this film occasionally is not quite as gratuitous as in many films now.

While some of the film is offensive it really has a pretty good story and the acting, including the great Donald Pleasance in later years, is really quite good for this genre. It concerns the lives of various inhabitants of Pompeii right before Mount Vesuvius blows her proverbial “top.” Somewhere in the action is a topless belly dancer with finger cymbals on. Don’t know who she is or really if she is a real belly dancer but I offer up her image here as “Mystery Belly Dancer” of the month. (Hint: She could be Italian. It was filmed in Rome and environs).

Topless Belly Dancer from Warrior Queen

Mystery Belly Dancer with Zil from “Warrior Queen” (1988)

Learn Dabke Line Dance with Samir Hassan

The Grave Caller Aziza PostcardEdit 3

Aziza Al-Tawil is “The Psychic” in the upcoming film “The Grave Caller.” To order an autographed 5X7 promo card shown above please have “PayPal” account and inquire at azizaaltawil@gmail.com. The price is $20 including shipping. Monies from the promo card sales will fund Aziza’s future creative endeavors including a film in pre-production about a missing woman in Lebanon’s Civil War.

“The Grave Caller” 2018 Official Trailer from Midnight Releasing

The Fetishization of the Moors and It’s Sicilian Origin

By Aziza Al-Tawil 

Blackamoor Brooch Attilio Codognato

“Blackamoor” Brooch by Attilio Codognato studded with yellow and brown diamonds and rubies. Codagnato Jewelers have been an institution in Venice for over a century.

 
There was a bit of a row on December 17th, 2017 when Princess Michael of Kent showed up for a lunch meeting with Prince Harry’s multi racial fiance’ Meghan Markle. The controversy was caused by a turban wearing “Blackamoor” brooch. At issue was whether or not anything derogatory was meant by her wearing of the brooch on her coat or if it was just an antique “fashion statement,” a vintage glamour piece to be admired. Princess Michael, the Queen’s cousin, claims she’s had the pin for years and wears it oft, and it had no relation to the “multi-racial” background of Harry’s lady. So what is the story behind this kind of jewelry and what is the story behind the “Moorish” head vases I’ve seen also? Well, the stories are quite fanciful and not exactly what I expected.

Moor Head Planter

A lovely version of a Moor head planter with Sub-Saharan African features accented with a stunning blue.

The Moors invaded Sicily in the 11th century and brought with them their culture from North Africa which included the art of “Majolica” and they quickly set about to teaching the locals the art of this pottery. The “Moorish Head” planter pot was soon seen atop gateposts and represented the fact that the “Moors” were “in charge” of everything on Sicily. Caltagirone, near Catania,  is the city most famous for making these heads and “Al Halisa,” now called “La Kalsa,” is the district in Palermo where the fanciful story of their origin arose: A young lady was tending the flowers on her balcony when a handsome Moor stops below. A flirtation ensues that only ends a while later when the lady learns the Moor is married with children back in “the old country” and in retaliation she cuts off the head of the Saracen upon his next visit. Thinking his head should not go to waste she decides to use it as a “planter.” A batch of Basil flourishes there and in turn inspires others to try the head vases for similar results.

Italian Head Vases

Sicilian Head Vases that include a white and black version of a “Moor” and “The Lady.”

Upon further research though, it’s discovered that there are more than one version of the story that inspired people to seek fertility for their plants with these talisman vases. 

Messina holds a celebration every year in Mid August celebrating the town’s patron saint the “Virgin Mary.”  They also honor the original Pagan founders of the city and parade them in “Papier Mache’ effigy. The original story goes that a very tall Moor named Hassan Ibn Hammar showed up in the region and with the help of fifty pirates plundered the area during the period where the area was resisting the Saracen invasions of 964 – 970 AC. During a raid he spotted a lovely girl named Marta (“Mata”) the daughter of King Cossimo of Castellucio whom he fell in love with and wanted to marry. She wanted nothing of him, but through a turn of events during gambling, he won the right to marry her. She still took no interest in him romantically until he agreed to “follow Christ.” After he made the transformation she proceeded to fall in love with him as he “beat his swords into plowshares” and became a farmer (Herein lies more connection with planting and fertility). Most residents have thought of “Mata” as the local version of the Greek heroine “Persephone” who was kidnapped by “Hades” the “King of the Underworld.” Mata finally agreed to marry Hassan (his new Christian name “Grifone” means “big”) and they became the first rulers of Messina. (It should be noted that when the Muslims ruled Sicily most of the inhabitants were Greek Byzantine Christians-therefore not surprising the Greek touches that survive like the use of “Medusa” on the Sicilian flag although some Greeks have attributed her origin to Berbers in North Africa).

A third tale tells of a noble family of Messina with a beautiful girl and three protective brothers. Written about by Boccaccio in his “Decameron” the story has the girl known as “Isabella” fall for a boy named Lorenzo. Her three brothers kill Lorenzo and bury his body in a secret place. Lorenzo comes to Isabella in a dream and divulges he was murdered and the location of his remains. In horror, Isabella goes to the site and after finding the body in a fit of grief cuts off Lorenzo’s head. Back at her home she plants basil in it to disguise it and waters it with her tears.

The interesting thing to note about “Blackamoor” tchotchkes is that many depict them in the sense of a “ruler” or “nobleman” in turban and regal dress and do not always show them as “subservient.” “Blackamoor” figures have also been depicted as dancers. As far as  collector’s of antiques and curiosities, these items will probably still hold some appeal to those interested in the “folklore” origins of these unique designs even as time goes on.

B;ackamoor Harem Dancer Couple Figurines

“Blackamoor” Belly Danci ng Couple Figurines

Congratulations to the lovely Couple of the British Crown! Long live Prince Harry and HRH Meghan Markle!

Prince Harry and Meghan Markle Engagement Photo by

Prince Harry and Meghan Markle official “Engagement” photo by Alexei Lubomirski.

Egyptian Chick Magazine is published by:

Aziza Al-Tawil “Editor in Chief”

Billy Jack Watkins, “Research Assistant to the Editor”

Josephine Homonai, “Fashion Consultant and Model”

Contact: azizaaltawil@gmail.com

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Cruelty free make-up from “Coastal Scents” Click the eyeshadow pallette above for their site.

 

Egyptian Chick Magazine Black Friday Gift Giving Guide November 2017

Hi Folks! Your editor Aziza here. It’s “Black Friday” and I’ve compiled a little gift giving guide for you that might give you some ideas. “Egyptian Chick Magazine” needs support to continue with new and exciting issues so we ask that you consider some of the many fine products available from “Amazon.” If you purchase through our links “Egyptian Chick Magazine” gets a small commission on the sale. So we hope you will consider helping us this way. I have found some mighty cool stuff to consider as gifts this season. There are also many membership and specialty item deals going on right now too. Check it out and see how you can save and entertain loved ones this season and all year round.

For a young person or the “child in all of us” – here is a real charmer: A 10.5 inch plush “Bastet” by “Bundle of Joy.”
Plush Bastet

File under “Now I’ve Seen Everything!” – and it’s pretty cool too – here is a “Riq” pot holder by “Gear New” for the “musician” in your life.

Riq Pot Holder

Buying for someone who likes make-up? Check out the pretty colors in “The Balm of Your Hand” face palette by “The Balm” cosmetics. The company is “cruelty free” and is also Oil-free, talc-free, paraben-free, and non-comedogenic. 

In the Balm of Your Hand Face Pallette

The face palette contains favorites from their best sellers, including 4 perfectly coordinated eyeshadows, 3 blushes, a matte bronzer, a champagne-hued highlighter, a red lip color and a nude lip and cheek cream. For those who may have a “wicked” sense of humor there is another palette of “matte” eye shadows and it’s cleverly called “Meet Matt(e) Trimony!”

Matt Trimomy Pallette

If you take a trip how about keeping your skin smooth? Try Organic Fields of Heather brand body cream in “Egyptian Jasmine Scent.”

Organic Fields of Heather organic Body Cream

This wonderful lotion is handcrafted in small batches in New Hampshire from the finest ingredients including aloe vera, coconut, and Shea butter. There is also a “Crown Jewel Facial Cleanser” that is often paired with this as a gift combo.

How about a beautiful travel bag from “Kenneth Cole Reaction” Casual Fling Computer Overnighter?

Kenneth Cole Bag

If you want to give a gift for cozy comfort at home why not some fabulous 800 thread count 100% Egyptian Cotton Sheets from the “Chateau Home Collection?” They are deep pocketed and come in a variety of soft sensual colors.

Chateau Home Collection 100% Egyptian Cotton Sheets 2

Before I go here are some special things going on for “Black Friday” from Amazon…

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Egyptian Chick Magazine October 2017

Egyptian Chick Magazine October 2017

Letter from the Editor:

By Aziza Al-Tawil

It was very hard to get back into the swing of things after the devastating events of the last month or so around the world. Hurricanes Irma and Maria, the storms and flooding in Myanmar, Bangledesh, India and other parts of Asia, the heartbreaking Las Vegas massacre – and so many things – that it seemed we were just barely able to stand up from one disaster until we were “pummeled” with something else. 

I’m heartbroken to report that Desideria Masheed, last year’s “October Cover Girl” was caught right in the middle of the Puerto Rican disasters-the worst of which was “Maria.” Desideria has been a tireless animal rescue advocate working closely with “Save a Gato” for most of the five years she has spent living on the Island. Her reason for going was a change of pace, to study more dance, and practice natural healing. When the economy went sour a couple of years ago she felt she had to plan to leave the island but this slipped into a “quagmire.”

Desideria In Front of Statues

Desideria enjoying a happier day before “storms” with Taino statues in Puerto Rico.

Trying to survive she was walking miles in the heat just to re-charge a phone. Meanwhile, stores like Wal-Mart started gouging people. All the while people were told at “FEMA” that they could not apply in person for help but had to do it by phone or go online (there was no electricity or internet service!) and, as the Mayor of San Juan was telling the world, food arrived to a place where people had been without food nor clean water for fourteen days and they were not allowing the “National Guard” to distribute it. The National Guard has had years of experience and they were not allowed to do what they did best leading everyone to ask “Why?”

Now, to add “insult to injury” or rather “injury to insult” our beloved Desideria was hit by a car in San Juan as she made her way to Wal-Mart for a folding table so she could vend on the boardwalk. Sadly, it took many hours to be seen by a doctor and now her foot is infected. She noted while waiting in the hospital just how many vulnerable “geriatric” patients were there. 

“Egyptian Chick” magazine is trying to help Desideria who is now destitute and injured. No agencies are able to help her with anything. She just wants to come back to the mainland and needs to raise a few thousand dollars. To all who can help her we are imploring you donate what you can. As of this publication she is short of food to eat. There are two ways you can help her GoFund me campaign is here : GoFundMe to Rescue Desideria from Puerto Rico (Moving Expenses for her and her cats)

Or for more immediate help you can send to her “PayPal” at darkdeva29@gmail.com Thank you so much!

Aziza Al-Tawil, Editor in Chief 

iron-sheik-r-kelly (1)

The Iranian Born “The Iron Sheik”

How I Fell in Love with Wrestling

By Aziza Al-Tawil

My grandmother’s boyfriend Mr. Felix Holmes used to pick up my Grandma and take her to the “Wrastling Matches” over at the Civic Center in Charleston, WV. There my “Yia Yia” would laugh her ass off and scream stuff, I guess, like “Go get ’em Tiger!” at who I think must have been, if I recall correctly, the likes of Bob Armstrong, among other legends. In fact, now that I’m grown and my fiancé’ Bill (whose Dad was Newark area wrestler “The Big Chief” in the early 1950s) has gotten me, “Miss Peace and Love” into watching the shenanigans out of the “WWE” I would actually give anything to remember just who in the world else my Grandmother and Mr. Holmes used to watch.

A lot of the Charleston area newspapers are probably on “microfiche”-still the handbills or flyers from this area are not too easy to find. Considering my Grandmother passed away in the mid 1980s, unless I hold a “séance,” cannot ask her who some of the legends were. I do think that I recall her mentioning Bob Armstrong though. As far as “local wrestling,” a lot of them came out of the circuit that was in Tennessee.

As far as getting intrigued with modern era wrestling it certainly took me a while.

Antonino Rocca Poster

My mother’s neighbor in NYC, Wrestler Antonino Rocca, “The Argentinian.”

My mother, a dancer, appreciated the “Greco-Roman” wrestling of the “Olympics” but was not too impressed with the antics of what we know now as “Pro Wrestling.” Although, she really respected the strength of Buddy Baer in his day and at one point she and her first husband Bill were neighbors of Antonino Rocca or “Rocco the Argentinian” on the West Side of NY. “Rocco” was a really nice guy she said. He would get out in the street with the “hardhats” and jokingly have a go at using their jackhammers. (Sadly, “Rocco” died at age 49 in Roosevelt Hospital of a urinary infection in 1977.)

Little Egypt Wrestler 2

Angelina Altishin AKA “Little Egypt” in the ring.

Little Egypt Wrestler Glow

Angelina Altishin – AKA “Little Egypt” in the ring at “G.L.O.W”

As far as more recent female wrestling, I have not gotten into the clips from the “Sable” era-in fact-Stacy Kiebler on “Dancing with the Stars” several years ago was all I was exposed to. The gals in the 80’s were sexy like Wendy Richter (and also most of the women in “Glow-Gorgeous Ladies of Wrestling,” the campy TV show which ran from 1986-1989 and featured acts with fun and provocative names like “Sally the Farmer’s Daughter,” “Palestina,” and “Spanish Red”) and if they ain’t inspiration for a good work out or two at the gym or the dance studio I don’t know what is-yet it seemed the latter era got a little more racy with “novelty” acts stripping down to thongs in front of crowds including kids. The girls now are sexy, and in good shape, but don’t seem to cross over into the “Adult Realm” as they seemed to do for a while.

Palestina

Politically “incorrect” persona and name, the “G.L.O.W.” wrestler “Palestina” in a rather culturally insensitive time.

As far as “Adult Realm,” I guess the biggest shock was the Joanie Laurer foray into hardcore porn and then her death at a young age from an overdose of drugs and alcohol. “Chyna” as she was known, seemed to represent the unbearable tragedy that can come about from a very competitive lifestyle in a tough and sometimes “unforgiving” business.

I swooned over “Rowdy Roddy Piper” in a couple of movies he made and found myself missing the 1980’s and the way we all used to look and maybe the last era where we really worshiped the “charismatic” male.

Roddy Piper and Meg Foster They Live

Roddy Piper and Meg Foster in John Carpenter’s “They Live” (1988)

My favorites from today are entertaining to me because they have a certain “Golden Age of Hollywood” quality like Roman Reigns (The “Second Coming” of Victor Mature), or Dean Ambrose with another “Quasi Hero” quality straight out of the James Dean/Marlon Brando “playbook,”- or are straight out full of laughs like “The New Day” tag team.

“Pro Wrestling,” and all it’s idiosyncrasies, is the epitome of a “guilty pleasure.” How long I stay interested in something I couldn’t do myself if my life depended on it-I don’t know. Just know that now I oft think of a quote by someone-not sure who-who said, “The people who like Pro Wrestling are either fools or geniuses.”

I’d like to think I belong to the “geniuses!”

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“Geeky Gadgets and What Not – Gifts for Anyone on Your List”

Wrestling Fashionista: Costume Looks from the Past to the Present

By Aziza Al-Tawil

Whether it’s Chris Jericho and his “scarves” (which Braun Strowman so unceremoniously tore in strips recently!) to Naomi and her neon “glow in the dark” spandex outfits, wrestling has been an exciting “arena” of styles for a long time. Years ago there was “Gorgeous George” and his “primpin” then there was “The Godfather” and his “Pimpin.” There’s a special place in my heart for ole “Rowdy Roddy Piper” and his “kilt. “

“Jungle,” “Tiki,” and “Tribal” looks have been around in different forms since the old days. “Leopard Print” bathing suits/costumes on lady wrestlers (Like “The Fabulous Moolah”) back in the 1950’s (and on male wrestlers like Enzo Amore who touts the “Gucci” look also), to Bone Necklaces on “Matilda the Hun” and leis and tropical prints on “Mountain Fiji” only lent more “mystery” to these amazing tough gals.

Penny_Banner

Penny Banner Wrestler

In fact the “exotica” look has certainly not been reserved for women. “The Ultimate Warrior” and “Papa Shango” come to mind right away. Nods to “Natives” would certainly be “Kamala the Ugandan Giant” and the many incarnations of Indian Head Dresses that have shown themselves over the years including “Chief Jay Strongbow.”

Chief Jay Strongbow

Chief Jay Strongbow

Representing the Middle East we had Hossein Khosrow Ali Vaziri, also known as “The Iron Sheik” and before him, “The Original Sheik” (Ed Farhat from Michigan) known first as simply “The Sheik,” and a poster that looks to be from the 1940’s or 1950’s says a “Laurence of Arabia” is going to appear at “The Hollywood Legion.” 

Ed Farhat

 

1968 Issue of Wrestling World featuring “The Sheik” Ed Farhat and “Abdullah Farouk”- the “alter ego” of his “Jewish” manager Ernie Roth. Roth would also manage “Mr Fuji,” “The Iron Sheik” and a roster of others.

 

1948-october-30th-frank-sexton-red-kolo-vintage-boxing-wrestling-program-magazine-knockout-5

One of my favorite eras is the 1980’s-I guess I’m sentimental about my childhood years-and the neon spandex look with it’s “Girl’s Just Wanna Have Fun” vibe. In fact, how appropriate is it that Cyndi Lauper actually wound up managing Wendi Richter during the inaugural “Wrestlemania?” The neon spandex has made a comeback with the exception of one thing: In the 1980’s you had a lot of “High Cut” bathing suit looks and now the women’s wrestling seems dominated by “Boy Leg Short” looks.

KODAK Digital Still Camera


The beautiful Angelina Altishin (“Little Egypt”) making her entrance on “G.L.O.W.” 

It’s also in the 1980’s that a lovely Turkish and Italian belly dancer was a wrestler on “Gorgeous Ladies of Wrestling” AKA “G.L.O.W.” Angelina Altishin actually entered the arena belly dancing and it’s cool to see the audience, some wearing ball caps, try to dance with her the “sinewy moves” of her alter ego “Little Egypt.” Her costumes often had a skirt but once in the ring she did her thing in “Harem Pants!”

KODAK Digital Still Camera

The beautiful Angelina Altishin (“Little Egypt”) making her entrance on “G.L.O.W.”

So after so many conflicts in the last generation including the devastating events of 9/11, who carries a torch for the belly dancer look in wrestling these days?

Sabu and Genie

Non other than former body builder and wrestler Melissa Coates who, after a knee injury, decided to  manage “Sabu” and follow in the footsteps of his Uncle Ed Farhat’s habit of having a female “valet” dressed in “harem regalia.” Melissa Coates these days is known as “The Super Genie” and performs on tour with him mostly around the UK. His style of wrestling is not for the faint of heart though-it’s “extreme” “hardcore” violent as he was trained by his uncle “The Sheik” who was known for bringing that into vogue

Ed Farhat (2)

A very young looking Ed Farhat – “The Sheik.”

The handsome, talented Dolph Ziggler has recently created an uproar by doing a series wherein he lampoons the “gimmicks and costumes” used by his contemporaries. However, it may be a long time before crowds will want to give up the kind of exciting imagery and accessories that go along with the crazy world of “pro wrestling.”

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From the Vedas to the Present: The History of Indians in Wrestling

By Aziza Al-Tawil

In today’s crop of American “Pro Wrestling” Indian and Pakistani, we have Jinder Mahal, “The Bollywood Boyz”-Gurv and Harv Sihra who are now Jinder’s “posse” and call themselves “The Singh Brothers,” “Prince Mustapha Ali,” and of course, “The Great Khali.”

Jinder Mahal and the Singh Bros

Jinder Mahal flanked by “The Singh Brothers”

Yet, if we take a look, it would blow your mind just how far back the sport of wrestling goes in that region of Asia. The form of wrestling known as “Malla-Yuddha” is thought to have been practiced in South Asia as far back as the 5th Millennium BC. It is thought to be the precursor of what they call “Kushti” now and predates the invasion of the Aryans. “Turko-Mongolian” descendants, the Central Asian “Mughals” conquered Northern India in the 16th Century bringing into the picture their style of wrestling which had roots in Mongolian and Iranian (Persian) style wrestling. (In fact there is no shortage today of Middle Eastern and Iranian origin wrestlers here in the United States including Araiya Daivari (Iranian), Seth Rollins, (Armenian), Sami Zayn (Syrian), Noam Dar (Israeli), Rusev (Bulgarian), and, if the rumor is true, the adorable Bayley is part Armenian!).

Prince Mustafa Ali

When Pakistani “Cruiserweight” Mustafa Ali was calling himself “Prince Mustafa Ali.”

 

As far as the “Vedas,” wrestling is indeed mentioned in the “Mahabharata.” My personal interest in the “Vedas” came from childhood exposure to the “Hare Krishnas” in NYC taking the free “Back to Godhead” magazines they handed out and sampling the delicious vegetarian food they served from carts just like hot dogs. In fact, when I read that the royal sponsors of ancient Indian wrestling made sure to treat their “warriors” of “grappling” with “milk, pulses, sugar, and delicious sweets,” I was not surprised as that tactic seemed to work well for the Swami Praphupada building the “Hare Krishna Movement” based on luring sad, addicted youth to the pleasures of the “non-narcotic” dessert “Gulabjuman.”

He had called the deep fried donut balls that were soaked in rose water syrup “Iskcon Bullets” as they were so effective in preventing the troubled youths from the outside “malaise” of the “Hippie Era.” (Over the years, I truly loved the “Hare Krishna” vegetarian food served in other cities too like Boston, but, not being a “joiner” by nature I was never quite moved enough to go join a commune! To quote the great Cole Porter, “Don’t Fence Me In!”

Of course, special exercise regimens were used to keep the athletes fit as well, what with all that “Gulabjamun!.”

During the “Colonial Period” wrestling was a favorite spectator sport of the “Rajputs” in Punjab. (Both Jinder Mahal and The Great Khali hail from Punjabi backgrounds. Mahal’s family being of the “Sikh” religion and Khali’s of “Hinduism” respectively). At one point, being wrestlers was encouraged to help prepare for attempts to free themselves of British rule.

In the last couple of hundred years we saw the rise of the “Great Gama” class of wrestlers in India and what is now known as Pakistan. We’ve seen the continuation and growth of tournaments and participation in the modern “Olympics” era.

I could go into more specifics about the wrestling history of this region but it’s so vast you might do better to do some more in-depth research on your own. For me, I’ll keep watching the matches and eating those yummy Indian desserts!

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Bizarre use of “Middle Eastern” theme and imagery, “The Clash” – “Rock the Casbah” (1982) 

Rock the Casbah

 

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